20
Sep 2023

Visite de Moly Sabata, le samedi 23 septembre
Édouard Schoene
Actualité, Blog, Visite d'exposition, Visites d’Ateliers d’Artiste, Voyages

La visite aura lieu durant l’exposition « Caca bleu véritable » avec une visite de l’atelier de l’artiste Pierre David, directeur de la résidence Moly Sabata

La visite se fera en plusieurs étapes :

• Visite de l’exposition Caca bleu véritable par Camille Théreau.
https://www.moly-sabata.com/productions/caca-bleu-veritable/
Lors de la visite, deux artistes en résidence nous accueilleront : Loïc Donche (partenariat avec L’IAC Villeurbanne pour Galeries Nomades 2023) et Camille Théreau.

• Présentation de l’histoire de Moly-Sabata, des artistes qui y ont vécu et travaillé à partir des années 1927, date de l’acquisition par Juliette Roche et Albert Gleizes et la création de la Fondation Albert Gleizes en 1984. Explications sur le fonctionnement d’une résidence d’artistes et les liens tissés aussi bien au niveau local que plus largement, auprès des réseaux de l’art contemporain, des métiers d’art, des arts décoratifs, en Europe et au-delà. Visite de l’atelier d’Anne Dangar (1885-1951) figure emblématique de Moly-Sabata et découverte du fonds de céramiques.

• Visite des ateliers des artistes en résidence.

• Visite de l’atelier de Pierre David

• En visite libre : Ouverture du Moly Shop, boutique de céramique d’usage.

Visite de deux heures suivie d’une goûter.
Participation aux frais (collation) : 8€
Covoiturage possible (se répartir les frais AR d’environ 36 €/ voiture (par A48 D119, 93 km entre Grenoble et Sablons).

S’inscrire au plus vite après de Françoise Viallet : francoise.viallet@free.fr.
Téléphone des Amis du Magasin : 06 29 90 92 19

24
Avr 2016

Voyager à Turin : Fondation Mario Merz avec Marisa E Mario Merz et Botto&Bruno
adrien cali
Blog, Expositions & Vernissages, Voyages

 

mario merz

 

mario merz1

 

Jusqu’au 12 août 2016

MARISA E MARIO MERZ. Sto in quella curva di quella montagna che vedo riflessa in questo lago di vetro. Al tavolo di Mario

 

mario merz2

 

mario merz3

 

mario merz4

 

Botto&Bruno. Society, you’re a crazy breed         09.03.2016 | 19.06.2016

March 9 –  June 19, 2016

curated by Beatrice Merz and Maria Centonze

Fondazione Merz presents Society, you’re a crazy breed a new project by artists Botto&Bruno conceived as one large installation that relates to the exhibition space, and particularly focuses on its symbolic value as an abandoned industrial building converted into a cultural venue.

The exhibit – starting with its title, taken from Eddie Vedder’s song “Society” from the “Into the Wild” soundtrack – is a sort of cry to reflect upon the future of our society and its contemporary madness, which tends to reset memory to create a present without history, a present that is built on ruins. To quote Marc Augé: “Future history will no longer produce ruins. It does not have the time for them”.

 

Source : Textes et photos site de la fondation Mario Merz

 

http://fondazionemerz.org/en/current-exhibitions/

 

 

 

 

 

24
Avr 2016

Voyager à TURIN : Castello di Rivoli, Giovanni Anselmo jusqu’au 11 septembre 2016
adrien cali
Blog, Expositions & Vernissages, Voyages

Capture

 

 

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06 Apr 2016 25 Sep 2016

Giovanni Anselmo

Mentre la mano indica, la luce focalizza, nella gravitazione universale si interferisce, la terra si orienta, le stelle si avvicinano di una spanna in più…

Inauguration: April 5, 2016

On view: April 6 – September 11, 2016

Curated by Carolyn Christov-Bakargiev and Marcella Beccaria

 

Among the first artists displaying work at the Castello di Rivoli when it opened in 1984, Giovanni Anselmo (Borgofranco d’Ivrea, Turin, 1934) holds his first-ever solo exhibition in a museum in Turin. One of Italy’s most internationally acclaimed artists, Anselmo debuted as part of the Arte Povera movement during the second half of the 1960s while engaged in research aimed at highlighting the potential presence of the invisible in the visible. This constant dialogue between the visible and the invisible, the material and the immaterial, makes Anselmo’s work as pertinent as ever and of increasing interest to younger generations who have grown up in the age of the Internet. His materials visible to spectators are natural elements and industrially made products, often seemingly modest: slide projectors, magnetic needles, granite stone, photographs, dirt, and bands of ultramarine blue. Instead, his invisible materials include magnetic fields, electromagnetic waves, and the surrounding space we find ourselves in.

Conceived in close collaboration with the artist, the exhibition unfolds on the third floor of the Manica Lunga. Starting with the work Interferenza umana nella gravitazione universale (1969), Anselmo has put together a unique itinerary that enhances the building’s architectural flow and its orientation with respect to the apparent motion of the Sun along the east-west axis. As part of this itinerary, which, overall, actually constitutes a new installation, there will also be some other works by the artist, including a few important ones from the past. Moreover, the project will also be accompanied by the publication of a scholarly and artistic catalogue as well as a re-edition of the rare artist’s book, Leggere (1971–1972).

 

Source : texte et photos, le site du musée Rivolli

Pour plus d’informations sur le musée

http://www.castellodirivoli.org/en/museo/

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